“In Oceania we stopped building things we didn’t need in order not to call attention to ourselves. We had water, food, and shelter. Our lives were good and full of story and family and loved ones. Our elders maintained a fleet of evacuation crafts complete with biological escape pods. The knowledge to access them and maintain them and pilot them had been passed down. . . My people won’t forget about us. I just have to help them find us. I just have to sing to them. They will be listening for our song.”
— from “I Come from the Water”
title: Man Made Monsters
author: Andrea L Rogers
illustrator: Jeff Edwards
published: 2022
publisher: Levine Querido
genre: YA literary horror short stories
setting: 1839 - 2039 across Turtle Island (especially so-called Texas & the midwest)
representation: Cherokee characters, heritage & language (Tsalagi), some queer characters
tropes: vampires, fae-folk, werewolves, Frankenstein, aliens, zombies, medical horror, ghosts
main themes/subjects: Indigenous displacement in the mid-1900s u.s.-occupied territories, monsters & cycles of violence / how violence & trauma transforms, epistolary narrative story, gothic literature, Frankenstein references & themes, western science (alchemy, necromancy) vs Indigenous medicine, ancestral knowledge vs western academic tradition & book-learning (“la manera tradicional”), assimilation & conversion, Indigenous folklore, family dynamics, ghosts & cemeteries, Indigenous experience in u.s. wars in europe & asia, boarding schools, fetishization of Indigenous bodies & culture, genocide, isolation from community, justice & redemption
“I thought of Ms. M. crying during yet another lockdown, over a girl being killed in another high school, over a world where learning in safety was neither a right nor a possibility. . . It wasn’t enough that she teach, she also had to protect the students in her care from a world that didn’t make the safety of children a priority. Being a teacher nowadays is hard.
Almost as hard as being a teenage girl.”
— from “Deer Women”
summary/blurbs/premise: “Man Made Monsters is a powerful exploration of identity and the enduring legacy of colonization. Rogers masterfully blends Cherokee legends with chilling horror, creating unforgettable characters and monsters.”
my thoughts:
This collection of short stories is ✨perfect.✨ While anyone could read this collection as a purely five-star, perfectly entertaining horror read, the way Rogers ties together Indigenous history & culture with gothic & horror tropes all while exploring themes of monstrousness & violence, childhood & family dynamics, feminism & queer identity, family & isolation from community, death & grief, & genocide & epigenetic trauma, elevates this book to a whole other level.
The title of the book & the second story (a tribute to Frankenstein & Mary Shelley & my favorite of the collection), “Man made monsters”, is a recurring theme that looks at the way white violence, genocide, & colonization destroys & transforms Indigenous people & their communities by embodying the trauma response as consequences of infection: so for instance, things like vampire blood, a werewolf bite, & zombie breath are intimately tied up with the dictates of forced poverty in a commerce-based economy, religious conversion by fear, worldview corruption (institution of patriarchal & christian “values” & ideas), & abduction of Indigenous children into boarding schools).
In fact, this theme & its treatment has its genesis in Rogers’s literary world in her short story contribution to Never Whistle At Night: An Indigenous Dark Fiction Anthology: “Night Moves”, which is Walt Rock’s origin-story (he’s a side-character in “Shame on the Moon”).
“The technician was rolling the cart out of the room and called back to Maria. ‘Isn’t science a wonderful thing?’”
— from “Maria Most Likely”
There is also a great deal of exploration in a variety of different contexts & situations unpacking the violent dichotomy of anti-spiritual, non-holistic western science & western academic tradition & book-learning (“la manera tradicional”) vs Indigenous medicine & ancestral knowledge. The stories “An Old-Fashioned Girl”, “Man Made Monsters”, “Maria Most Likely”, & “Lens” (my second-favorite of all the stories) all featured this theme to excellent effect.
I already know I have to reread this entire collection too because in our bookclub discussion folks were bringing up more threads & connections between all the stories that I missed reading it on audiobook so I’m already excited to revisit these stories.
Also jsyk, the first story is the hardest to read & the second story is the next hardest. While all of the stories tackle a lot of difficult themes, I do think the categorization of this collection as YA is appropriate because I feel that Rogers tells these stories in ways that can really help teen+ readers grapple with the difficult things they are dealing with in their lives, feel seen, & find hope that things will only continue to get better as long as they keep faith & live right.
“I try not to think too hard about what I have had to do to survive. When genocide is what you’re up against, you regret nothing.”
— from “Ama’s Boys”
i would recommend this book to readers who love good horror stories, especially those from an Indigenous perspective. this book is best read on a dark & stormy night, obviously.
final note: This book was actually Andrea’s debut YA book (she’s also written a ton of children’s & a couple middle-grade books) & her next YA one, The Art Thieves (out Sept. 2024), is a sort of apocalyptic dystopian novel that takes place in 2052. Definitely adding it to my TBR. <3
“Before we covered it with dirt, Janie spit into the dark earth.
I laughed. ‘Any last words?’
‘I hate those stupid preppy kids,’ Janie said.
‘Yeah, me too.’”
— from “Shame on the Moon”
CW // the horrific violence & inhumane injustice of u.s. imperialism with graphic anti-Indigenous violence, murder of family members, & animal death, suicide, abortion, MMIW, boarding schools, a brief school lockdown scene, car accident
spice level: 🌶️🌶️
season: Dunihidi (ᏚᏂᏂᏗ) or Nvdadegwa (ᏅᏓᏕᏆ)
music pairing: your etsi’s powwow mix cd! or this mix, if you don’t have a cd player:
I’ve also started putting together a playlist of some of my favorite music by Indigenous artists (worldwide) if you’d like to check that out:
further reading:
More by Andrea L. Rogers:
NEVER WHISTLE AT NIGHT edited by Shane Hawk & Theodore C. Van Also Jr. (2023) ★ ★ ★ ★ .75—multi-author short story collection to which Rogers contributed with her story, “Night Moves” (actually the backstory to one of the side-characters in Man Made Monsters)
Young adult:
THE ART THIEVES (2024)—dystopian, post-apocalyptic, environmental & pandemic sci-fi
Childrens:
MARY AND THE TRAIL OF TEARS: A Cherokee Removal Survival Story (2020)
ANCESTOR APPROVED: Intertribal Stories for Kids (2021)—multi-author short story collection to which Rogers contributed
Picture books:
CHOOCH HELPED (Oct 2024)
WHEN WE GATHER (OSTADAHLISIHA): A Cherokee Tribal Feast (May 2024)
Adjacent reads:
LONE WOMEN by Victor LaValle (2023) ★ ★ ★ ★ ★
EVERY DROP IS A MAN’S NIGHTMARE by Megan (2023) ★ ★ ★ ★ ★ (Indigenous Hawaiian horror & speculative fiction short stories collection—single author)
CRAZY BRAVE by Joy Harjo (2012) ★ ★ ★ ★ .5 (Cherokee memoir)
TAAQTUMI: An Anthology of Arctic Horror Stories, edited by Neil Christopher (2019) ★ ★ ★ ★ .75
THE ONLY GOOD INDIANS by Stephen Graham Jones (2020)
FUNERAL SONGS FOR DYING GIRLS by Cherie Dimaline (2023)
GREEN FUSE BURNING by Tiffany Morris (2023) ★ ★ ★ ★ .75 (Indigenous horror novella)
NIGHT OF THE LIVING REZ by Morgan Talty (2022)—Indigenous short horror stories collection (single author)
WHEN THE LIVING HAUNT THE DEAD by Carson Faust (out 2025)
ELATSOE by Darcie Little Badger (2020) ★ ★ ★ ★ .5
MOON OF THE CRUSTED SNOW by Waubgeshig Rice (2018)
Books being read/mentioned in some of the stories:
Her Body and Other Parties by Carmen Maria Machado
Jane Eyre by “Currer Bell” (Charlotte Brontë’s penname by which the MC in “Man Made Monsters” knows her)
Wuthering Heights by “Ellis Bell” (Emily Brontë)
Frankenstein by Mary Shelley
House of the Seven Gables by Nathaniel Hawthorne (1851)
The Ghost Next Door by RL Stein (1993)
The Wolfen by Whitley Strieber (1978) & its 1981 film adaptation
The Hunger by Whitley Strieber (1981) & its 1983 film adaptation
The Stand by Stephen King (1978)
The Shining by Stephen King (1977)
The Howling by Gary Brandner (1977) & its 1981 film-adaptation
Click on the star ratings beside the titles I’ve read to read my reviews/thoughts about the book.
I earn commissions from the sponsored links to my shop on bookshop.org which allow me to keep my content like Book Reviews & Reading Lists free to all subscribers. <3
All graphics, images, & photography © Stop and Smell the Books unless otherwise indicated.
If you haven’t already, consider upgrading to a paid subscription to see more of my expanded annotations & favorite quotes from this book below. . .
(If you’re Indigenous & subscribe for free I’ll automatically upgrade you to a paid sub—just send me a DM)
My annotations for this book are very very spoilery as they’re basically me processing & mapping the connected themes, characters, & plot lines across the stories so… Best read after one has already read the book. 😆
Keep reading with a 7-day free trial
Subscribe to Stop and Smell the Books to keep reading this post and get 7 days of free access to the full post archives.